Richard Ford and the Ends of Realism

Ian McGuire

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Richard Ford and the Ends of Realism

Richard Ford and the Ends of Realism Richard Ford and the Ends of Realism examines the work of award winning American novelist and short story writer Richard Ford and places it firmly in the context of contemporary debates about the rol

  • Title: Richard Ford and the Ends of Realism
  • Author: Ian McGuire
  • ISBN: 9781609383435
  • Page: 132
  • Format: Paperback
  • Richard Ford and the Ends of Realism examines the work of award winning American novelist and short story writer Richard Ford, and places it firmly in the context of contemporary debates about the role and meaning of literary realism in a postmodern environment In this fresh study of Ford s oeuvre, Ian McGuire argues that Ford s work is best understood as a form of pragmaRichard Ford and the Ends of Realism examines the work of award winning American novelist and short story writer Richard Ford, and places it firmly in the context of contemporary debates about the role and meaning of literary realism in a postmodern environment In this fresh study of Ford s oeuvre, Ian McGuire argues that Ford s work is best understood as a form of pragmatic realism and thus positions him as part of a deeply rooted and ongoing American debate about the nature of realism and pragmatism This debate, which reaches back to transcendentalist thinkers such as Ralph Waldo Emerson and continues on to today, questions the meaning of independence and the relationship between the self and history In this context, McGuire explores Ford s deep engagement with American literary and philosophical traditions and repositions his work in its appropriate intellectual and literary context McGuire also uses this idea of pragmatic realism to mount a larger defense of contemporary realist writing and uses Ford s example to argue that realism itself remains a useful and necessary critical category Contemporary realism, rather than being merely conventional or reactionary, as some of its critics have called it, can offer its proponents an aesthetically and philosophically sophisticated way of engaging with and contesting the particularities of contemporary, even postmodern, experience In offering this new reading of Richard Ford s fiction, as well as a fresh understanding of the realist impulse in contemporary American fiction, both become richer, resonant, and immediate reaching both backward into the past and forward to involve themselves in important contemporary debates about history, postmodernity, and moral relativism.

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      132 Ian McGuire
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      Posted by:Ian McGuire
      Published :2018-07-26T21:03:56+00:00

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